Conjuring, The (2013) [Blu-ray]
Biography | Horror | Thriller

Tagline: When the music stops, you'll see him in the mirror standing behind you...

Based on true events, The Conjuring tells the thrilling story of ghost hunters Lorraine and Ed Warren (Vera Farmiga and Patrick Wilson), who help a family terrorized by an evil spirit in their mysterious farmhouse.

Storyline: In 1971, Carolyn and Roger Perron move their family into a dilapidated Rhode Island farm house and soon strange things start happening around it with escalating nightmarish terror. In desperation, Carolyn contacts the noted paranormal investigators, Ed and Lorraine Warren, to examine the house. What the Warrens discover is a whole area steeped in a satanic haunting that is now targeting the Perron family wherever they go. To stop this evil, the Warrens will have to call upon all their skills and spiritual strength to defeat this spectral menace at its source that threatens to destroy everyone involved. Written by Kenneth Chisholm (kchishol@rogers.com)

Reviewer's Note: Reviewed by Kenneth Brown on October 16, 2013 -- Nine years ago, few filmfans knew the name James Wan. Then along came a little genre gem about a devious serial killer with a penchant for traps. Wan's shockingly low budget Saw (2004) not only took audiences by storm, it became one of the year's biggest overnight Hollywood success stories; one that spawned six sequels over the next six Halloweens. (Saw 3D (2010) was declared the series' final installment, but don't be surprised to see another entry announced in the near future. It wouldn't be the first time a dead horror franchise clawed its way out of a grave marked "The Final Chapter".) 2007 marked a rough patch of sorts, though, with Dead Silence and Death Sentence failing to impress critics, pull in an audience or make an impact at the box office. Undeterred, the young filmmaker didn't give up. Then, in 2010, Insidious arrived with a silent scream and a blood-curdling finale, helping to solidify Wan's place among the new Cravens and Carpenters of horror. Though dismissed or overlooked in some circles, his divisive interdimensional ghost story was a lean, sinewy frightfest as unsettling and atmospheric as it was devilishly restrained.

But it's Wan's latest film, true tale possession pic The Conjuring, that showcases the full spectrum of his talents; so much so that the young Australian filmmaker's name is now firmly etched in the horror lexicon. It appears Saw was merely a means to an end. Insidious was a training ground. The Conjuring is Wan at his finest, and perhaps modern horror at its best.

Since the 1960s, Ed and Lorraine Warren have been known as the world's most renowned paranormal investigators. Lorraine is a gifted clairvoyant, while Ed is the only non-ordained Demonologist recognized by the Catholic church. Out of the thousands of cases throughout their controversial careers, there is one case so malevolent, they've kept it locked away until now.

The Conjuring follows the Warrens (Patrick Wilson and Vera Farmiga) to Rhode Island in 1971 at the request of Carolyn Perron (Lili Taylor), devoted wife to hard-working husband Roger (Ron Livingston) and desperate mother to five terrified daughters (Shanley Caswell, Kyla Deaver, Mackenzie Foy, Joey King and Hayley McFarland). It seems the Perrons have been plagued by a series of increasingly unsettling and potentially dangerous supernatural encounters since moving into their new home; an old farmhouse in rural Harrisville. Determined to help the Perrons, Ed and Lorraine accept the case but soon discover the otherworldly entities haunting the farmhouse and its grounds aren't about to let go or move on. At least not without the Perrons paying a terrible price...


Wan doesn't simply set The Conjuring in 1971, he draws heavily upon the style, technique and production design of early '70s cinema. The illusion of Wan's meticulously conceived period piece doesn't call attention to itself but rather evokes films of the era to immersive, if not absorbing ends. Shadows spread like fire. A hush settles over the Perrons' farmhouse. Visions of sinister forces bleed into reality. The unseen is celebrated while cheap tricks and tiresome gore are admonished. Simplicity reigns, and what a spine-chilling simplicity it is. It's much too easy to get lost in the stillness and ambience of it all, making the scares that much more startling and disturbing imagery that much more jarring. With little more than a white bed sheet and a dusty wooden chair, Wan stages one of the most unnerving and unforgettable possessions in horror movie history; a scene that could have drawn laughs if it weren't for the inch-by-inch suspense and impeccable pacing the director uses for the first hour and a half of the film to make the Perrons' terror so convincing and palpable.

The performances are exceptional too, with Wilson and Farmiga infusing the Warrens with a matter-of-fact ease and humility that renders Ed and Lorraine a lovely, altogether personable couple... that just so happens to have some very unique gifts. Moreover, without needless exposition or dreary backstory weighing either actor down, Wilson and Farmiga are able to craft complex leads that, at first glance, aren't all that complex. Just beneath the surface, though, stirs the souls of two people who face ungodly horrors and have to go to sleep at night knowing exactly what the next day might hold. Then there's Taylor and Livingston, who sell the Perrons' confusion and despondency perfectly, not to mention the five young actresses playing their daughters, who aren't precocious or irritating in the least. Wan and screenwriters Chad and Carey Hayes avoid pushing or pulling to either extreme, granting the Perron brood ample opportunity to go about their scenes as normal, everyday little girls. Nothing more. Paired with the creepy Harrisville house and its haunts, the cast and their eerie stomping grounds are as subdued as the progression towards each scare, and only the Warrens' extended team -- used primarily for tension relief and working stiff reaction shots -- fail to make much of an impression.

If The Conjuring stumbles it's with regards to its rather dry opening (starring a demon doll you just know is going to turn its unholy head later in the film) and a somewhat unnecessary subplot involving the Warrens' daughter, Judy (Sterling Jerins), who's tucked safely in bed at home under the watchful eye of a caretaker while her parents are away. Three guesses as to why she's on hand in a story about the Perron case. And of course there will be those who don't find The Conjuring frightening at all. Like comedy, horror affects everyone in different ways. I burrowed deeper and deeper into my seat; knuckles white, eyes wide, the hair on my neck icicles. Others will shrug their shoulders; wondering what all the fuss is about. The only way to know how you'll react, though, is to pop in The Conjuring, turn out the lights, and follow the Warrens and the Perrons to hell and, hopefully, back again.

"Diabolical forces are formidable. These forces are eternal, and they exist today. The fairy tale is true. The devil exists. God exists. And for us, as people, our very destiny hinges upon which one we elect to follow." -- Ed Warren

The Conjuring isn't going to exorcise the skeptic out of everyone, but Wan's expertly crafted genre pic crept up on me, pounced on the timid little boy apparently still kicking around inside my head, and tore the poor kid to pieces. And it did it without anything in the way of gore or other stomach-turning tricks of the modern-day horror trade. I'll even go so far as to say that had The Conjuring been released in the '70s, we'd still be talking about it alongside the likes of The Exorcist and other classics of the era. Warner's Blu-ray release is a godsend too, making Wan's frights that much more frightening with a terrific video transfer and first class DTS-HD Master Audio 5.1 surround track. The disc is light on supplemental material, unfortunately, but don't let that scare you away. The Conjuring is one of the finest horror films in recent memory.

[CSW] -3.8- A must see for anyone that likes suspense horror. It is done very well with enough bump-scares, scream-scares and some truly horrifying/ disturbing images. Most movies based on true events lack enough artistic freedom to be extremely effective, this one didn't. Crisscrossing between the increasing terror of the family and the two characters that can help them does lay the groundwork for a mesmerizing plot. Like he did in Insidious the director did a good job of tightening the screws on the audience. Like the reviewer said "Like comedy, horror affects everyone in different ways" so while some may just shrug it off, I found it a very chilling, creepy, and scary supernatural horror film. You won't know how it will affect you until you see it. Watch it alone in the dark if you dare.
[V4.5-A5.0] MPEG-4 AVC - No D-Box motion codes were available at the time of this rental although they are available now.


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